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supported by 8 fans who also own “Intervals”
“… And Everything In Between” was a great introduction to the band, and after having listened to it 2975295 times in a relatively short while I could appreciate “Artificial Void” (which is perhaps a bit more intricate?) better.
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supported by 8 fans who also own “Intervals”
Awesome album and one of my top 5 in modern metal scene
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supported by 8 fans who also own “Intervals”
The modern, clean sound is almost clinical in it's precision. This is technical metal at it's finest in similar vein as Tesseract and Periphery. Though they follow the formula, there is enough integrity in Boundless to create a unique experience and makes me come back to this album time and time again. The only detractor I can raise is the mastering. In certain sections there are too many instruments vying for the same audio spectrum and the sound becomes a bit muddy. Still, 4 stars.
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Sundered
by Where The Waves Are Born
Scalding metalcore from Spain, “Where the Waves Are Born” swings from clean to growled vocals over blindingly intricate fretwork.
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A brand new record from one of the best metalcore acts around.
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Midwestern prog-metal stalwarts go for the throat on their new EP, featuring a roiling cover of the Smashing Pumpkins' “1979.”
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